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Today, in post-revolutionary Cuba, under the benign patronage of Fidel Castro, classical ballet thrives. This unlikely success story is mainly due to the legendary figure of Alicia Alonso. After almost 20 years as an internationally acclaimed star of the American ballet, she returned to support the Revolution in 1959, determined to create from scratch a national ballet company . Now aged over 60, her long career frequently threatened by failing eyesight, Alicia Alonso is still Cuba's prima ballerina, still performing Giselle and still the formidable leader of a huge company of dancers, all of them now trained and recruited within Cuba.